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Arrive at Easterwine


"Diabolique"
Clone of RAL's Voice
Apr 12
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“The Forty-Seventh Island” (1977/1980)
“The Forty-Seventh Island” is one of Lafferty’s weaker stories. It isn’t short on invention; what it lacks is the theotropic dissonance...
Mar 24
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"Old Halloweens on the Guna Slopes" (1975, rev. 1984)
Forza [force] and froda [fraud] being the two essential elements of sin, it follows that they must be the two cardinal virtues of human...
Mar 23
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The Slapdash Sublime?
This post is prickly and polemical. Deliberately so. The Science Fiction Encyclopedia and its online iteration are important resources...
Mar 23
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“In Deepest Glass” (1980/1981)
Several million evolvate computers, computers who said that they were the only true born-again humans, accompanied the pilgrimage or tour...
Mar 22
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“Boomer Flats” (1971)
Lafferty had a soft spot for Neanderthals and every kind of ape-man. My favorite instance of this appears at the end of Arrive at...
Mar 21
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“Calamities of the Last Pauper” (1982)
The question then arises, what poverty is required by the practice of this counsel or, in other words, what poverty suffices for the...
Mar 20
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“The All-At-Once Man” (1970)
Picking up on yesterday’s post and the theme of Gnosticism, I want to look its presence in Lafferty’s work a little further. Lafferty...
Mar 18
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“Crocodile” (1965/1980)
Five more centuries were to pass before the structure of human relations had so changed that the use of this instrument met a more...
Mar 18
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Consensus Reality and Enniscorthy Sweeney
When people talk about The Three Armageddons of Enniscorthy Sweeney , two words inevitably come up: consensus reality. Ask what it’s...
Mar 18
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“Ifrit” (1982) and Janusian Peripetia
Stanley Elkin once said that he did shtick upon shtick until he got carpentry. In the same vein, there’s a maneuver so core to Lafferty’s...
Mar 16
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“Selenium Ghosts,” “Maleficent Morning,” and Lafferty's Originality
When Does Originality Cease to Be a Literary Virtue? Few writers test this boundary as thoroughly as R.A. Lafferty. His sentences are...
Mar 15
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“Selenium Ghosts of the Eighteen Seventies” (1978) II + Notes
Today, I want to think about the metaphysics of time in "Selenium Ghosts." Before turning to that issue, let’s take stock of some of what...
Mar 14
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“Selenium Ghosts of the Eighteen Seventies” (1978) I
I’ve been closely reading "Selenium Ghosts of the Eighteenth Century." In the coming days, I’ll make several posts about it and post my...
Mar 14
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The Tower of Tarshish and the Dungeons of Tertullian
From a reproduction of the wonderful Hereford Mappa Mundi (ca. 1300 AD). The inscription on Sardinia: Sardinia Grece Sandaliotes dicta a...
Mar 11
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Where Have You Been, Sandaliotis? (1977)
This blog is built around one of my favorite pieces of dialogue from Lafferty’s Serpent’s Egg (1987). It’s about mysteries—my favorite...
Mar 10
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Eros in Lafferty
A while back, I shared some thoughts on East of Laughter in response to a discussion about certain obiter dicta on pornography in an...
Mar 9
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“Condillac's Statue” (1968/1970)
While thinking about Past Master (1968), I returned to Lafferty’s short story "Condillac’s Statue or Wrens in His Head." It offers...
Mar 8
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“Seven Day Terror” (1962) and Exposition
Rock Candy Patent Drawing, 1881 There are quite a few reasons for thinking about Lafferty not as a science fiction writer but as a writer...
Mar 7
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“Marsilia V” (1975) and Iconographic Insetting
Lafferty’s description and visual imagery are as idiosyncratic as every other aspect of the man's work. Today, I want to consider a trick...
Mar 6
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